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Art by Jenny Saville

Pentimenti in Figure Drawing: Techniques for Correcting Mistakes

Instructor:
Olya Losina
$
49
- This course includes
4
videos
- One year viewing
Free for Members
Free for Members
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Saturday
s
&
Saturday
s

,

November
8
-
November 29, 2025
No class on
,
10:00 am
-
11:30 am
Pacific Time
$
400
/
4
class
es
+
recording
s
Included in Basic and All Access Memberships
Included in All Access, Basic Members save 20%
Online via Zoom
Saturday
s
s
&
Saturday
s

,

November
November
until
8
8
-
-
November 29, 2025
No class on
,
10:00 am
-
11:30 am
Pacific Time
$
400
/
4
drop in class
es
+
recording
s
Free for members
Online via Zoom
Every Tuesday, join anytime
No class on
,
10:00 am
-
11:30 am
Pacific Time
$
400
/ 12 classes + lifetime access to recordings
Free for Members
Online via Zoom

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We will create corrections the same way the Great Masters did their quick improvements by means of self-edits, “pentimenti” (“regrets", in Italian), the unwanted lines. When the corrections are allowed to show, then to the artist’s surprise the drawing acquires the masterful touch of effortlessness, energy and virtuosity.

You will learn that when the corrections are the result of close observation, they don’t ruin but enrich the drawing. You will discover that pentimenti enable you to be less attached to the outcome, achieve the flow, and enjoy the process even more. You will be able to embrace the teacher’s request to “become your eyes” which for some students has been unclear. You may intentionally start with a “bad” figure drawing (it is especially easy to accomplish in pen and ink), especially if you know that being careful and relying on your eraser is your biggest issue with figure drawing. If you want to learn how to be more spontaneous with sketching the human body and acquire the lightness of touch, this 4-week-long challenge will help you get there.

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Course schedule

Week 1: Correcting mistakes and creating pentimenti with pen and ink on white paper.

Week 2: Correcting mistakes with colored patches on a pen-and-ink drawing on white paper.

Week 3: Correcting mistakes with white patches on a fan-brush drawing on tonal paper.

Week 4: Correct mistakes and build tone simultaneously, with charcoal alla Matisse.

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